Indian Film Industry – Classic Kalyug Dark Era 

Padmini Arhant 

The notorious Indian film industry infamously known for anything and everything negative and destructive involving the so-called Super stardom and beauty pageantry landing directly in the adjustment category for a break in film career is just the beginning.

Unfortunately despite many short cuts, shady trails  and accommodations exceeding voyeurism, obscenity, sexual exploitation and beyond, selling the soul besides everything is a proud culture. The career stagnation persists with more compromise from these desperate failed performers leading nowhere.  

As a result the parasitic existence via identity theft is the last resort. The sloppy piracy, plagiarism and copyright infringements are yet another trade tactics unraveling embarrassment and indignation.

Again the hyenas in sheep clothing not lasting long expose themselves in every aspect through self- deprecation and mass deception.

Then onwards hitting headlines on narcotics, dereliction from alcoholism, embezzlements, tax fraud, panama gate, debauchery, pedophilia, arms smuggling, arms trade scandal (Bofors), terrorism, underworld crime syndicates comfort partners to promote beauty crown…are normal. 

Furthermore, the serious crimes like instigating communal violence leading to deaths of innocent lives like in 1984 assault on Sikhs in Delhi, Punjab etc. murder and man slaughter on road rage accidents, alliance with corrupt politics as representatives and imembers to evade diverse crimes, illicit wealth, dark money hoarding and various criminality are merely the exhaustive accounts in the pseudo celebrity world with poison tentacles harming anything upon contact. 

Last but not the least the films and massive payments in millions and billions to these cheap gold diggers are bankrolled and funneled with dirty money from all over evading accountability with political impunity. 

Indian cinema opportunists and wannabes basically serve the domestic and foreign criminal clique agenda at every opportunity much to own and collective peril. 

The movies that are fraudulently claimed – world record breaking and block buster via fake publicity to camouflage the contrary comes to light in massive tax evasion reporting less or dismal profits in the venture. 

The so-called bonanza in movie popularity is not reciprocated in taxes individually and on business tax obligations.

The revenue originating from the ordinary citizens as audience is not invested in the Indian economy rather divested offshore in foreign bank accounts like the Swiss bank, Singapore back channel and other tax havens around the world.

 Notwithstanding,  the contentious Panama Gate negotiated in quid pro quo with government and those connected in the racket completing the full circle in bargain and convenient arrangement not barring body and soul sale since the film career onset.

Indian cinema with incriminating background and notoriety together with polity is the classic Kalyug – dark age depicting degeneration and decadence.

Padmini Arhant 

Author & Presenter

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